DTG
Choose the fabric type, adjust white ink for regular and black regions, then review dimensions, channel naming, choke and margins. Process the current Photoshop artwork and export.
Choose the dark-fabric workflow, set regular and black-region white ink separately, then prepare dimensions, channels and output.
Select the light-fabric workflow, set regular-region white ink and decide whether to remove the white background before exporting.
Set the white underbase to suit the fabric and design. Treat white-ink percentages separately from color-image opacity.
Set physical width, PPI, W1 choke, margins and channel name, then prepare the file and continue into MainTop.
Continue from the AI Workbench into DTG, choose the fabric and white-ink settings, then automatically pass the finished artwork to MainTop.
Image preparation, fabric selection, channel generation and MainTop processing follow one continuous path.
Continue from artwork, white ink and file output into MainTop.
Choose the dark- or light-fabric workflow based on the substrate and production plan.
Keep an original copy and confirm the active Photoshop document.
Regular and black regions have separate white-ink controls. The substrate can contribute to the appearance of black regions.
5% white ink means underbase quantity; it does not remove 95% of the color artwork or set overall image opacity to 5%.
Review physical size, resolution, white-channel name, choke and margins against the order and sampling experience.
Use a separate output folder. Do not switch or manually modify the Photoshop document during the task.
Inspect the color composite and W1 separately, including black-region coverage.
Confirm RIP channel recognition and test on the actual fabric before production.
